Kaija Saariaho (*1952)

Найдено 30 композиций

Oltra mar (2)Kaija Saariaho (1952)
3:04
Oltra mar (4)Kaija Saariaho (1952)
3:40
Oltra mar (7)Kaija Saariaho (1952)
3:25
Oltra mar (6)Kaija Saariaho (1952)
3:38
Mirrors for flute and violoncello (version lesley olson 1998).kaija saariaho (*1952)
3:37
1:37
mirrors for flute and violoncello (version lesley olson 1998) {lesley olson flute . scott roller violoncello}kaija saariaho (*1952)
3:37
«Oltra mar», семь прелюдий для Нового Тысячелетия для смешанного хора и оркестра, ч. 3. Неопределённости (Vagues)Кайя Саариахо
2:17
Tenju-an Garden of Nanzen-ji TempleKaija Saariaho
3:08
mirrors for flute and violoncello (original version 1997) {lesley olson flute . scott roller violoncello}kaija saariaho (*1952)
3:38
Oltra mar (5)Kaija Saariaho
1:08
9:09
Emilie Suite (2011): I. PressentimentsSaariaho, Kaija (1952 - )
8:13
Quatre Instants: II. DouleurSaariaho, Kaija (1952 - )
5:04
spins and spells for violoncello solo (1996) commissioned for the 6th rostropovich competition in paris {scott roller violoncello}kaija saariaho (*1952)
6:05
Quatre Instants: III. Parfum de l'instantSaariaho, Kaija (1952 - )
3:41
Quatre Instants (2002): I. AttenteSaariaho, Kaija (1952 - )
5:29
Terra memoria (2009)Saariaho, Kaija (1952 - )
17:59
Quatre Instants: IV. ResonancesSaariaho, Kaija (1952 - )
6:10
six japanese gardens for percussion and electronics (1993/95) commissioned by the kunitachi college of music, to the memory of toru takemitsu: dry mountain stream {andreas boettger percussion and live-electronics}kaija saariaho (*1952)
3:23
cendres for alto flute, violoncello and piano (1998) commissioned by the city of essen {lesley olson flute . scott roller violoncello . susanne achilles piano}kaija saariaho (*1952)
9:09
«Oltra mar», семь прелюдий для Нового Тысячелетия для смешанного хора и оркестра, ч. 1. Отъезд (Départ)Кайя Саариахо
4:39
Emilie Suite: III. PrincipiaSaariaho, Kaija (1952 - )
7:45
du cristal, for orchestra (1989)Kaija Saariaho (1952)
16:45
monkey fingers, velvet hand (1991)кая саариахо (p.1952)
3:06
3:42