Robert Alexander Schumann (1810-1856)

Найдено 33 композиции

Märchenbilder, Op. 113: III. Rasch — Robert Schumann (1810 –1856)
2:55
Robert Schumann(1810-1856): "Der Nussbaum" (Text: Julius Mosen) - Michael Raucheisen, piano — Peter Anders
3:00
Mass in C-moll, OP.147 — Robert Schumann (1810-1856 ).
42:36
Phantasie C-dur op.17 - III. Langsam getragen. Durchweg leise zu halten (Sergio Fiorentino - piano) — Robert Schumann (1810 - 1856)
13:46
Nachtlied (Wandrers Nachtlied, 1780), Op. 96 No. 1 (ROBERT SCHUMANN (1810-1856)) — Marlis Petersen & Jendrik Springer
1:50
Fantaisie Op.17 — Robert Schumann (1810-1856).
13:28
Robert Schumann(1810-1856): "Wiegenlied (Schlaf, Kindlein, schlaf)" (Text: Friedrich Hebbel) - Michael Raucheisen, piano — Peter Anders & Tiana Lemnitz
3:30
Robert Schumann (1810–1856) - Piano Concerto in A minor op. 54; Cello Concerto in A minor op. 129 — Wilhelm Furtwangler
52:30
Оратория ''Рай и Пери'' (ор.50) — Robert Schumann (1810-1856)
95:40
Robert Schumann(1810-1856): "Die beiden Grenadiere"(Text: Heinrich Heine) - Hubert Giesen, piano; rec.1949 — Peter Anders
3:42
Widmung, Ор. 25, №1 (Schumann, transcription for piano by F. Liszt) — Misha Dichter
3:50
pictures of the east: v. f-moll {александр бахиев / елена сорокина} — robert schumann (1810 - 1856)
3:23
Sechs Gedichte von N. Lenau, Op. 90 - No. 4 - Die Sennin (Fischer-Dieskau, Eschenbach) — Robert Schumann (1810 - 1856)
1:56
Phantasie C-dur op.17 - II. Massig. Durchaus energisch — Robert Schumann (1810 - 1856)
7:34
Felix Mendelssohn Bartholdy (1809–1847) - Violin Concerto in E minor op. 64; Die Hebriden; Ein Sommernachtstraum;Robert Schumann (1810–1856) - Manfred op. 115 — Wilhelm Furtwangler
64:49
Introduction and Allegro appassionato, Op.92 (Angela Hewitt - piano. Deutsches Symphonie-Orchester Berlin. Hannu Lintu - conductor, 2011) — Robert Schumann (1810-1856)
15:43
Piano concerto in A Minor. 3rd movement (Marta Argerich - pianist) — Robert Schumann (1810-1856)
10:03
Piano Concerto in A minor, Op.54 - II. Intermezzo: Andantino grazioso - (Angela Hewitt - piano. Deutsches Symphonie-Orchester Berlin. Hannu Lintu - conductor, 2011) — Robert Schumann (1810-1856)
4:50
2. Intermezzo: Andantino grazioso — Schumann Piano Concerto (Argerich, Harnoncourt)
5:08
Introduction and Allegro Concertante for Piano and Orchestra, Op. 134 in D minor - D Major — Schumann, Robert (1810-1856)
12:45
Symphony No.4 (1851 vers.): 1. Introduction. Ziemlich langsam - Allegro. Lebhaft — Robert Schumann (1810-1856)
9:57
Piano concerto in A Minor. 1st movement (Marta Argerich - pianist) — Robert Schumann (1810-1856)
14:23
Symphony No.4 (1841 vers.): 1. Introduction. Ziemlich langsam - Allegro. Lebhaft — Robert Schumann (1810-1856)
8:18
Piano Concerto in A minor, Op.54 - III. Allegro vivace (Angela Hewitt - piano. Deutsches Symphonie-Orchester Berlin. Hannu Lintu - conductor, 2011) — Robert Schumann (1810-1856)
11:38
Introduction and Concert-Allegro, Op.134 (Angela Hewitt - piano. Deutsches Symphonie-Orchester Berlin. Hannu Lintu - conductor, 2011) — Robert Schumann (1810-1856)
14:47
Piano Concerto in A minor, Op.54 - I. Allegro affettuoso (Angela Hewitt - piano. Deutsches Symphonie-Orchester Berlin. Hannu Lintu - conductor, 2011) — Robert Schumann (1810-1856)
15:00
Sonata No. 3 for Violin and Keyboard in E Major, BWV 1016 (arr. F. David) : III. Adagio ma non... — Robert Schumann (1810— 1856)
5:25
Symphony No. 3 in E-flat major, Op. 97 'Rhenish' - IV. Feierlich — (1810-1856) Robert Schumann
5:46
Phantasie C-dur op.17 - III. Langsam getragen. Durchweg leise zu halten — Robert Schumann (1810 - 1856)
13:46
Robert Schumann (1810–1856) - Symphony No.1 in B-flat major „Spring“ op. 38; Symphony No. 4 in D minor op. 120 — Wilhelm Furtwangler
64:45
Robert Schumann (1810-1856) Requiem Op.148 & Requiem Für Mignon for solos, chorus and orchestra Op.98b — Chorus Master : Hartmut Schmidt Düsseldorfer Symphoniker Conductor : Bernhard Klee Recorded in 1983, at Düsseldorf
46:41
Johannes Brahms(1833-1897): Symphony No.3 in F major, Op.90 (1883); Robert Schumann(1810-1856): Symphony No.4 in D minor, Op.120 — HANS KNAPPERTSBUSCH
67:21