Catherine Denley (2 страница)
Найдено 176 композиций
Jephtha, HWV 70, Pt. 1: Chorus. When His Loud Voice in Thunder Spoke — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
4:20Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
7:14Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: No. 8, Finale, "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
1:24Mozart: Die Zauberflöte, K. 620, Act 2 Scene 21: No. 19, Terzett, "Soll ich dich Teurer nicht mehr sehn?" (Pamina, Sarastro, Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
2:48Jephtha, HWV 70, Pt. 2: Accompagnato and Arioso. First Perish Thou. Let Other Creatures (Storgè) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
2:13Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: Dialog, "Zurücke! … Ich Götter! … O weh!" (Königin der Nacht, Pamina, Monostatos) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
1:48Mozart: Die Zauberflöte, K. 620, Act 2 Scene 9: Dialog, "Morden soll ich? … Was soll ich nun? … So fahr denn hin! … Herr, strafe meine Mutter nicht!" (Pamina, Monostatos, Sarastro) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
2:06Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
1:29Jephtha, HWV 70, Pt. 1: Air. Pour Forth No More Unheeded Prayr's (Zebul) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
4:58Mozart: Die Zauberflöte, K. 620, Act 2 Scene 4: Dialog, "He, Lichter her! Lichter her!" (Papageno, Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:14Jephtha, HWV 70, Pt. 1: Chorus. No More to Ammon's God and King — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
2:38Mozart: Die Zauberflöte, K. 620, Act 2 Scene 29: "Klinget Glöckchen klinget" (Papageno, Drei Knaben) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:40Mozart: Die Zauberflöte, K. 620, Act 2 Scene 21: Dialog, "Prinz, dein Betragen war bisher männlich und gelassen" (Sarastro, Pamina, Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:39Jephtha, HWV 70, Pt. 1: Air. Virtue My Soul Shall Still Embrace (Jephtha) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
4:06Jephtha, HWV 70, Pt. 2: Accompagnato. Deeper and Deeper Still (Jephtha) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
3:37Handel: Semele, HWV 58, Act 1: Accompagnato. "Ah me! What refuge now is left me?" - Air. "O Jove! in pity teach me which to choose" - Recitative. "Alas, she yields" (Semele, Ino, Athamas) — John Eliot Gardiner feat. Catherine Denley, Norma Burrowes, Timothy Penrose
3:52Jephtha, HWV 70, Pt. 1: Air. In Gentle Murmurs Will Mourn (Storgè) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
5:09Mozart: Die Zauberflöte, K. 620, Act 1 Scene 6: Dialog, "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:18Jephtha, HWV 70, Pt. 2: Chorus. Cherub and Seraphim, Unbodied Forms — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
3:06Mozart: Die Zauberflöte, K. 620, Act 2 Scene 3: No. 11, Duett, "Bewahret euch vor Weibertücken" (Zweiter Priester, Sprecher) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:43Mozart: Die Zauberflöte, K. 620, Act 2 Scene 31: "Es siegte die Stärke" (Die Priester) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
1:27Mozart: Die Zauberflöte, K. 620, Act 2 Scene 6: Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:50Jephtha, HWV 70, Pt. 1: Air. Take the Heart You Foundly Gave (Iphis) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
3:57Mozart: Die Zauberflöte, K. 620, Act 1 Scene 9: Dialog, "Ha, ha, ha" (Drei Sklaven, Monostatos) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:58Handel: Semele, HWV 58, Act 1: Quartet. "Why dost thou thus untimely grieve" (Semele, Ino, Athamas, Cadmus) — John Eliot Gardiner feat. Catherine Denley, Norma Burrowes, Robert Lloyd, Timothy Penrose
3:23Mozart: Die Zauberflöte, K. 620, Act 2 Scene 1: No. 9, Marsch der Priester (Andante) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
2:36Mozart: Die Zauberflöte, K. 620, Act 2 Scene 7: Dialog, "Ha, da find'ich ja die spröde Schöne!" (Monostatos) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:30Handel: Semele, HWV 58, Act 1: Accompagnato. "Ah me! What refuge now is left me?" - Air. "O Jove! in pity teach me which to choose" - Recitative. "Alas, she yields" (Semele, Ino, Athamas) — John Eliot Gardiner feat. Catherine Denley, Norma Burrowes, Timothy Penrose
3:53Jephtha, HWV 70, Pt. 1: Air. Pour Forth No More Unheeded Prayr's (Zebul) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
4:57Mozart: Die Zauberflöte, K. 620, Act 1 Scene 17: Chor, "Wenn Tugend und Gerechtigkeit" (Die Gefolge) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
1:28Jephtha, HWV 70, Pt. 2: Recitative. Why is my Brother Thus Afflicted? (Zebul/Jephtha) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
1:06Jephtha, HWV 70, Pt. 2: Recitative. Why is my Brother Thus Afflicted? (Zebul/Jephtha) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
1:05Jephtha, HWV 70, Pt. 2: Accompagnato. Deeper and Deeper Still (Jephtha) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
3:36Mozart: Die Zauberflöte, K. 620: Ouverture. Adagio - Allegro — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
5:51Vivaldi: Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero - X. Qui sedes ad dexteram Patris — Catherine Denley, The English Concert, Trevor Pinnock, The English Concert Choir
2:46Jephtha, HWV 70, Pt. 1: Air. Dull Delay, in Piercing Anguish (Hamor) — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
3:05Mozart: Die Zauberflöte, K. 620, Act 1 Scene 1: Dialog, "Wo bin ich? Ist’s Phantasie, dass ich noch lebe?" (Tamino) — Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey/Beverley Hoch/Olaf Bär/Catherine Denley/Catherine Pierard/Cornelius Hauptmann/Nancy Argenta/Eirian James/Tessa Bonner/Evelyn Tubb/Car
0:14Jephtha, HWV 70, Pt. 1: Accompagnato. If, Lord, Sustain'd by Thy Almighty Pow'r (Jephtha). Recitative. 'Tis Said. Attend, Ye Chiefs[Jephtha] — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
1:09Mass in B minor BWV.232 - 3 Credo - I. Chorus; Credo in unum Deum — Catherine Dubosc & Catherine Denley (sopranos), James Bowman(alto), John Mark Ainsley(tenor), Michael George(bass), The Sixteen Choir & Orchestra, Harry Christophers
1:58Jephtha, HWV 70, Pt. 1: Chorus. When His Loud Voice in Thunder Spoke — John Mark Ainsley, Michael George, Catherine Denley, Christiane Oelze, Axel Kohler, Julia Gooding, RIAS-Kammerchor, Akademie für Alte Musik Berlin & Marcus Creed
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