2 Tenor (3 страница)
Найдено 164 композиции
Les Noces (1914-17; 1919-23) - Part two - Fourth tableau. The Wedding Feast (Anny Mory - soprano, Patricia Parker - mezzo soprano, John Mitchinson - tenor, Paul Hudson - bass; Martha Argerich, Krystian Zimerman, Cyprien Katsaris, Homero Francesch - pianos, Leonard Bernsein - English Bach Festival Chorus & English Bach Festival Piano Ensemble, 1977) — Igor Stravinsky
10:05No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt " — Neill Archer, English Baroque Soloists, John Eliot Gardiner
0:57J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" — James Gilchrist, Gabrieli, Paul McCreesh
1:02J.S. Bach: St. John Passion, BWV 245 / Part Two - No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" — Peter Schreier, Staatskapelle Dresden
7:49J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" — Claudia Schubert, Maria Cristina Kiehr, Ian Bostridge, Peter Kooy, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen
2:17Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 2: No. 30, Duett. "Denn also hat uns der Herr geboten" — Dietrich Fischer-Dieskau feat. Werner Hollweg
2:36Henry Purcell-Ground&Two in one upon a ground — Capriccio Stravagante, S. Sempe (harpsichord), H. Crook (tenor)
5:10J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" — Christina Landshamer, Marie-Claude Chappuis, Maximillian Schmitt, Thomas Quasthoff, Thomanerchor Leipzig, Der Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly
2:27Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 33, Recitative. "O Happy Pair!" (Uriel) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks
0:29J.S. Bach: Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas - No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" — Wolfram Lattke, Gewandhausorchester, Riccardo Chailly
3:15J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" — Deborah York, Julia Gooding, Magdalena Kožená, Susan Bickley, Mark Padmore, James Gilchrist, Peter Harvey, Stephan Loges, Gabrieli, Paul McCreesh
1:46J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" — Maximillian Schmitt, Gewandhausorchester, Riccardo Chailly
1:02Two Suns In The Sunset — Pink Floyd (Written By Roger Waters, Additional Arrangements By Michael Kamen, Solo Tenor Saxophone: Raphael Ravenscroft)
5:23An filius non est Dei, for alto, tenor, bass, two violas da gamba, violone and basso continuo, BuxWV 6 - 1. Sonata — The Purcell Quartet
1:16Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 2: No. 35, Rezitativ und Arie. "Da das die Apostel hörten" - Chor. "Aber unser Gott ist im Himmel" — Dietrich Fischer-Dieskau feat. Chor des Städtischen Musikvereins zu Düsseldorf, Werner Hollweg, Wuppertaler Kurrende
8:28J.S. Bach: Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas - No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" — Helmut Krebs, Berliner Philharmoniker, Fritz Lehmann
3:43Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 9, Recitative. "And the Heavenly Host" (Uriel) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks
0:12J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 35 Aria (Tenor): "Geduld" — Toby Spence, Orchestra of the 18th Century, Frans Brüggen
4:38J.S. Bach: St. Matthew Passion, BWV. 244 / Pt. 2 - No. 41 Aria (Tenor): "Geduld! Wenn mich falsche Zungen Stechen" — Peter Schreier, Münchener Bach-Orchester, Karl Richter
3:42Passion, BWV 245 - Part Two: No. 34 Arioso (Tenor) — Stuart Patterson/Il Fondamento/Paul Dombrecht
0:47J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" — Claudia Schubert, Maria Cristina Kiehr, Ian Bostridge, Peter Kooy, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen
2:19Small World (Part Two) — Huey Lewis And The News (Co-Written By Chris Hayes, Additional Arrangements By Greg Adams, Solo Tenor Saxophone: Stan Getz)
4:06J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 35 Aria (Tenor): "Geduld" — Toby Spence, Orchestra of the 18th Century, Frans Brüggen
3:56No.35 Aria (Tenor): "Geduld" — Eberhard Büchner, Staatskapelle Dresden, Peter Schreier
3:22J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 35 Aria (Tenor): "Geduld" — James Gilchrist, Gabrieli, Paul McCreesh
3:40No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" — Rufus Muller, English Baroque Soloists, John Eliot Gardiner
8:09No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" — Rufus Muller, English Baroque Soloists, John Eliot Gardiner
8:08No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" — Peter Schreier, Staatskapelle Dresden
7:49J.S. Bach: Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas - No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" — Heiner Hopfner, Collegium St. Emmeram, Hanns-Martin Schneidt
3:48La morte del cor penitente, oratorio in two parts (1671) part 1 (Roberta Invernizzi & Elisabetta del Mircovich - soprano, Mario Cecchetti - tenor, Sonatori de la Gioiosa Marca, Sala del Capitolo del Duomo, Bressanone, Italy, 06/1995) — Giovanni Legrenzi (1626-1690)
44:41A1 –Hazy Osterwald And His Orchestra Home Town Boogie Alto Saxophone, Clarinet – Ernst Hoellerhagen Baritone Saxophone – Henry Adler (2) Bass – Bob Jaquillard Drums – Jackie Tunis Piano – Japp Strevkerke Saxophone – Hank Martin Tenor Saxophone – Mi — Hazy Osterwald – Big Bands Of Europe Vol. II Label: Elite Special – SJLP-6318 Format: Vinyl, LP, Compilation Country: Germany, Austria, & Switzerland Released: 1976 Genre: Jazz Style: Bop, Ragtime, Big Band, Swing
37:31J.S. Bach: St. John Passion, BWV 245 - Part Two - No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt " — Orchestra of the 18th Century, Christoph Prégardien, Frans Brüggen
0:52Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 12, Recitative. "In Splendour Bright" (Uriel) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks
2:26J.S. Bach: St. Matthew Passion, BWV 244 - Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" — Christiane Oelze, Nathalie Stutzmann, Stanford Olsen, Michael Volle, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
2:00J.S. Bach: St. Matthew Passion, BWV 244 - Part Two - No. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" — Louis van Tulder, Royal Concertgebouw Orchestra, Willem Mengelberg
1:42A1 –Hazy Osterwald And His Orchestra Home Town Boogie Alto Saxophone, Clarinet – Ernst Hoellerhagen Baritone Saxophone – Henry Adler (2) Bass – Bob Jaquillard Drums – Jackie Tunis Piano – Japp Strevkerke Saxophone – Hank Martin Tenor Saxophone – Michael E — Hazy Osterwald – Big Bands Of Europe Vol. II Label: Elite Special – SJLP-6318 Format: Vinyl, LP, Compilation Country: Germany, Austria, & Switzerland Released: 1976 Genre: Jazz Style: Bop, Ragtime, Big Band, Swing
37:34J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" — James Gilchrist, Gabrieli, Paul McCreesh
1:01Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 24, Air. "In Native Worth" (Uriel) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks
3:55No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" — Eberhard Büchner, Staatskapelle Dresden, Peter Schreier
3:35J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil - No. 35 "Geduld! Wenn mich falsche Zungen stechen" — Howard Crook, English Baroque Soloists, John Eliot Gardiner
3:34