Antonio Pérez

Найдено 135 композиций

La Taberna del Puerto, Act II, Scene 1: Eres Blanca y Hermosa (Marola, Juan, Simpson, Coro de hombres) — Orquesta Sinfonica de Galicia, Víctor Pablo Pérez, María Bayo, Juan Pons, Enrique Ba, Orfeón Donostiarra, José Antonio Saenz
2:51
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 16 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
3:43
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 12 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
3:43
La Taberna del Puerto, Act III, Scene 5: ¡Son Ellos! ¡Era Verdad! (Marola, Leandro, Juan, Simpson, Ripalda, Coro) — Orquesta Sinfonica de Galicia, Víctor Pablo Pérez, María Bayo, Plácido Domingo, Juan Pons, Enrique Ba, Emilio Sánchez, Orfeón Donostiarra, José Antonio Saenz
3:29
La Taberna del Puerto: No. 6, En Un País de Fábula — Víctor Pablo Pérez, Orquesta Sinfonica de Galicia, Maria Bayo
4:16
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 7 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
5:16
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 13 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
5:46
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 21 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
2:05
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 19 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
2:10
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 18 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
3:52
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 6 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
4:56
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 20 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
4:11
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 11 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
1:22
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 8 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
3:12
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 5 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
6:16
La Reina Mora: "Canción del pajarero: Pajaritos vendo yo" Remastered — Pilar Lorengar, Ramón Alonso, Antonio Pérez "Perecito", Teresa Berganza
3:52
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 1 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
10:42
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 2 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
10:50
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 14 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
1:21
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 3 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
9:39
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 10 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
10:13
La Taberna del Puerto, Act I, Scene 5: Aquí Está la Culpable (Marola, Antigua, Mujeres, Leandro) — Orquesta Sinfonica de Galicia, Víctor Pablo Pérez, María Bayo, Rosa Ysás, Orfeón Donostiarra, Plácido Domingo, José Antonio Saenz
5:41
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 24 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
19:21
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 22 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
7:57
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 4 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
7:32
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 15 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
9:02
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 23 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
5:51
La Taberna del Puerto, Act II, Scene 8: Padre, Yo No Te Comprendo (Marola, Juan, Leandro, Marineros, Abel, Simpson) — Orquesta Sinfonica de Galicia, Víctor Pablo Pérez, María Bayo, Juan Pons, Plácido Domingo, Orfeón Donostiarra, Isabel Monar, Enrique Ba, José Antonio Saenz
7:50
Cabañeros — Antonio Pérez
4:38
La Reina Mora: "Escena y serenata final: ¡Que aproveche, amigo! " Remastered — Antonio Pérez "Perecito", Manuel Ortega
3:56
Paredes de Papel — Antonio Pérez
2:20
Natürliche Dauern 24 [Antonio Pérez Abellán] — Karlheinz Stockhausen
19:21
Juegos de Adulto Remastered — Antonio Pérez
2:49
La Taberna del Puerto, Act II, Scene 4: Despierta Negro (Simpson, Tres marineros negros) — Orquesta Sinfonica de Galicia, Víctor Pablo Pérez, Enrique Ba, Orfeón Donostiarra, José Antonio Saenz
3:54
Antonio Pérez Francés — Unió Musical Contestana
4:26
klang – 3rd hour: natürliche dauern 1–24 (natural durations 1–24) (2005/2006) for piano (1 transmitter, 2 microphones, 2 x 2 loudsp., mixing console / sound proj.): 17 {frank gutschmidt, benjamin kobler, antonio pérez abellán} — karlheinz stockhausen (1928 - 2007)
0:33
Mora — Antonio Pérez
4:02