Bassing Guild

Найдено 30 композиций

Party People (You Must Follow Us) 2012 — Cha-os vs. Bassing Guild
5:23
B-Boyonik — Bassing Guild
5:22
Party People (You Must Follow Us) Scratch Mix — Cha-OS vs Bassing Guild
5:25
06 Cha-os - Emergency (Bassing Guild's Rework) — Exzakt
4:32
B-Boytronik (Super Rhythm Tra — Bassing Guild
13:26
Emergency(Bassing Guild's Rework) — Cha-os
4:32
Cantata BWV 78 - Chorus (Choir and Baroque Ensemble of the Bach Guild, Felix Prohaska), 1954 — J.S. Bach
6:35
Bass Generator Re-load — Bassing Guild
6:28
Party People (You Must Follow Us) — Bassing Guild & Cha'os
5:23
Emergency (Bassing Guild Rework) — Cha-os
4:32
Bass Generator (Re-Load) — Bassing Guild
6:28
Party People — Bassing Guild & Chaos
5:23
Super Bass Traxx — Cha-os vs Bassing Guild
6:07
B-Boyonik [Unreleased] — The Bassing Guild
4:22
The Bassing Guild - B-Boyonik [Unreleased] — VA - Elektro Bass Is Back Vol. 7 (2009)
4:22
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249 iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn — Orchestra of The Bach Guild, Chorus of the Bach Guild, Felix Prohaska, conductor
1:14
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm — Hans Braun, Orchestra of the Bach Guild, Felix Prohaska, Choir of the Bach Guild
3:48
Cantata BWV 78 - Aria, bass (Hans Braun - bass, Choir and Baroque Ensemble of the Bach Guild, Felix Prohaska), 1954 — J.S. Bach
3:31
Seven Easter Chorales (Friedl Heising - soprano, Liesl Kimmel - alto, Alfred Planyavsky - tenor, Leo Heppe - bass, Kurt Rapf - organ, Choir & Orchestra of the Bach Guild, Felix Prohaska - conductor), 1951 — J.S. Bach
8:10
Cantata "Jesu, der du meine Seele" BWV 78 - VI: Aria (bass) 'Nun du wirst mein Gewissen stillen' (Hans Braun - bass, Orchestra of the Bach Guild, Felix Prohaska, 05/1954) — J.S. Bach
3:31
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder — Norman Foster, Vienna State Opera Orchestra, Felix Prohaska, Choir of the Bach Guild
1:39
Cantata BWV 106 (Teresa Stich-Randall - soprano, Dagmar Hermann - alto, Anton Dermota - tenor, Hans Braun - bass, Choir and Baroque Ensemble of the Bach Guild, Felix Prohaska), 1954 — J.S. Bach
22:39
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag — Norman Foster, Felix Prohaska, Choir of the Bach Guild, Vienna State Opera Orchestra
2:16
Easter Oratorio (BWV 249) /Soprano [Mary, mother of James]: Maja Weis-Osborn; Alto [Mary Magdalene]: Hilde Rössel-Majdan; Tenor [Peter]: Kurt Equiluz; Bass [John]: Walter Berry/ Choir & Orchestra of the Bach Guild / cond Felix Prohaska / 1951 — J.S. Bach
40:45
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil — Anny Felbermeyer, Hans Braun, Felix Prohaska, Choir of the Bach Guild, Orchestra of the Bach Guild
6:05
Cantata No. 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen" (Anny Felbermayer - soprano, Erika Wien - alto, Hugo Meyer Welfing - tenor, Norman Foster - bass, Choir & Orchestra of the Bach Guild, Felix Prohaska - co — J.S. Bach
42:05
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249 x. Recitative (Bass): Wir sind erfreut — Orchestra of The Bach Guild, Chorus of the Bach Guild, Felix Prohaska, conductor
0:46
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag — Norman Foster, Vienna State Opera Orchestra, Felix Prohaska, Choir of the Bach Guild
3:20
Cantata No. 80, "Ein feste Burg ist unser Gott", BWV 80 (Soprano: Maja Weis-Osborn; Alto: Hilde Rössel-Majdan; Tenor: Kurt Equiluz; Bass: Walter Berry. Choir of the Bach Guild, Orchestra of the Bach Guild, Felix Prohaska), 1951 — J.S. Bach
29:09
Cantata BWV 78 - Recitative, bass (Hans Braun - bass, Choir and Baroque Ensemble of the Bach Guild, Felix Prohaska), 1954 — J.S. Bach
2:57