Deryck (4 страница)

Найдено 168 композиций

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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V. Finale. Lento, non troppo - Allegro moderato Performing version by Deryck Cooke — Eugene Ormandy
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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III. Purgatorio: Allegretto moderato Performing version by D. Cooke & B. Goldschmidt — Kurt Sanderling, Berliner Sinfonie-Orchester
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110- — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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IV. Scherzo. Allegro pesante Performing version by Deryck Cooke — Eugene Ormandy
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No. 10 in F sharp minor (Ed. Deryck Cooke) - 5. Finale — Riccardo Chailly, Radio-Symphonie-Orchester Berlin
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Symphony N10 in F sharp major (1910) (Deryck Cooke version: Cooke II) - V. Finale. Langsam, schwer (Riccardo Chailly - Radio-Symphonie-Ochester Berlin, October 1986) 1 of 2 — Gustav Mahler
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Symphony N10 in F sharp major (1910) (Deryck Cooke version: Cooke II) - V. Finale. Langsam, schwer (Riccardo Chailly - Radio-Symphonie-Ochester Berlin, October 1986) 2 of 2 — Gustav Mahler
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 6. So much for nature (Ex.26-38) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Mahler: Symphony No. 10 in F sharp (unfinished) - Ed. Deryck Cooke - 4. Scherzo — Wiener Philharmoniker, Daniel Harding
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II. Scherzo Performing version by D. Cooke & B. Goldschmidt — Kurt Sanderling, Berliner Sinfonie-Orchester
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V. Finale. Lento, non troppo - Allegro moderato Performing version by Deryck Cooke — Eugene Ormandy
21:34
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91 — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Romancero Gitano Op. 152: Baladilla de los Tres Rios — Jean-Louis Serre, Deryck Webb, Béatrice Pary, Jenny Daviet, Benjamin Valette, Jean-Michel Hasler, Ensemble Chronochromie
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40 — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 24. One further motive belongs (Ex.121) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 10. Two further motives (Ex.41,53-61) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 18. The label "Flight" (Ex.92) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 8. The other transformation (Ex.45-48) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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No. 10 in F sharp minor (Ed. Deryck Cooke) - 1. Adagio — Riccardo Chailly, Radio-Symphonie-Orchester Berlin
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Mahler: Symphony No. 10 in F-Sharp Major (unfinished) - Ed. Deryck Cooke - III. Purgatorio — Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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No. 10 in F sharp minor (Ed. Deryck Cooke) - 3. Purgatorio — Riccardo Chailly, Radio-Symphonie-Orchester Berlin
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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