Ex-Der (4 страница)

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 18. The label "Flight" (Ex.92) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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IV. Scherzo. Allegro vivo — Claudio Abbado, Chicago Symphony Orchestra
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 7. The cause of the deterioration (Ex.39-44) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 14. Returning now to Act 2 of "Walküre (Ex.76-79) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91 — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Alle blade vil snart rødme — Helligaandskirkens kirkekor
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40 — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 2. The fundamental symbol (Ex.5-11) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110- — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6) — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti
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