Ian Martin

Найдено 174 композиции

Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 5, Aria. "Bereite dir, Jesu, noch itzo die Bahn" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Elly Ameling, Ian Hare, Iona Brown
4:53
CBS Radio Mystery Theater (The Nine Hundred and Ninety Nine Thousand Dollar Error) — Ian Martin
45:14
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 7, Aria. "Hilf, Jesu, hilf, daß ich auch dich bekenne" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, Ian Partridge
3:06
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 3. Credo — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, The Choir of St John’s Cambridge, George Guest
10:03
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 8, Rezitativ. "Der höchsten Allmacht Wunderhand" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Janet Craxton, Michael Winfield
2:26
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 8, Rezitativ. "Der höchsten Allmacht Wunderhand" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Janet Craxton, Michael Winfield
2:25
Rejection (Ian Carey Remix) — Martin Solveig
6:54
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 4, Rezitativ. "Verstockung kann Gewaltige verblenden" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, John Shirley-Quirk
2:11
Cerf Volant [Monkey Banana Kitchen, 1980, Fresh Records, UK] (New Wave, Avantgarde, Post-Punk) — Family Fodder aka Alig Fodder (John Pearce), Bazz Smith, Dominique Levillain, Felix Fiedorowicz, Graham Painting, Ian Hill, Judy Carter, Lynn Alice, Martin Frederix, Mick Hobbs & Rick Wilson (London, England, UK)
5:07
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 2. Gloria — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, The Choir of St John’s Cambridge, Academy of St Martin in the Fields, George Guest
9:20
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 6, Choral. "Wohl mir, daß ich Jesum habe" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks
3:30
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 3. Credo — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, The Choir of St John’s Cambridge, George Guest
10:05
Te Deum H146 (1989 Digital Remaster): Pleni sunt coeli et terra — Dame Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge
2:24
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 4, Rezitativ. "Verstockung kann Gewaltige verblenden" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, John Shirley-Quirk
2:12
Stravinsky: The Rake's Progress / Act I / Scene I - "Fair Lady, Gracious Gentlemen" / "I Wished but Once" — Deborah York, Ian Bostridge, Bryn Terfel, Martin Robson, London Symphony Orchestra, John Eliot Gardiner
4:59
Stained, Brutal Calamity feat. Nemo, Ian Martyn and Soul in Sadness /// Terraria Calamity Mod — BadHairlineProductions
11:15
Stravinsky: The Rake's Progress / Act I / Scene I - "The Woods Are Green" — Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner
3:28
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 6, Choral. "Wohl mir, daß ich Jesum habe" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks
3:32
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Well well! What do I see? (First Woman & Man, Vrenchen, Sali, Second Man & Woman, Peasants, fairground women & man, chorus) — Robert Tear/Elizabeth Harwood/Stephen Varcoe/Bryn Evans/Felicity Palmer/Mavis Beattie/Doreen Price/Elaine Barry/Pauline Stevens/Martyn Hill/John Huw Davies/Sarah Walker/Paul Taylor/Franklyn Whiteley/Robert Bateman/John Noble/Ian Partridge/J
2:32
Handel: Chandos Anthems / The Lord Is My Light, HWV 255 - One Thing Have I Desired — Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks
4:25
Not Like Me Ian Metty Remix — Pascal Dollé, Dirty Bits, Martin Broszeit
7:03
Handel: Chandos Anthems / As Pants the Hart, HWV 251b - Why So Full of Grief, O My Soul — April Cantelo, Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks
4:30
All Is Not Lost — Ian Martin
5:01
Morale... You've Lost That Loving Feeling [Reproduction, 1979, Virgin, UK] (Synth-Pop, New Wave) — The Human League aka Ian Craig Marsh, Martyn Ware, Philip Oakey & Philip Adrian Wright (Sheffield, South Yorkshire, Yorkshire and the Humber, England, UK)
9:39
Britten: Saint Nicolas, Op. 42: II. The Birth of Nicolas — Choir of King's College, Cambridge, David Willcocks feat. Andrew Davis, Ian Hare, Robert Tear
2:37
Rejection — Martin Solveig
4:11
Duruflé Requiem: Domine Jesu Christe — Matthew Martin, Ian White, The Choir of Canterbury Cathedral
9:02
Handel: Ode for Saint Cecilia's Day (HWV76) - "From Harmony...When Nature Underneath.." — Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks
4:54
Reach for the Stars - Opening Theme (from "Sonic Colors") (feat. Andrew Gossett, Denver Dale & V-Ron Media) — Ian Martyn
2:47