Jascha Horenstein Cond. London Symphony Orchestra
Найдено 43 композиции
Symphony No. 5 in C sharp minor 4. Adagietto (Sehr langsam), Gothenburg Symphony Orchestra & Jascha Horenstein, 16.10.1969 — Gustav Mahler
10:22Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus veni, creator spiritus — London Symphony Orchestra, Jascha Horenstein, Joyce Barker, Beryl Hatt, Agnes Giebel, Kirsten Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, BBC Chorus
23:19Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
5:44Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. The Closing Scene from "Faust" — London Symphony Orchestra, Jascha Horenstein, Joyce Barker, Beryl Hatt, Agnes Giebel, Kirsten Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, BBC Chorus
57:14Max Bruch: Scottish Fantasy, Op. 46 — David Oistrakh & Jascha Horenstein cond. London Symphony Orchestra
31:11Sibelius: Violin Concerto in d-moll Op.47 — Ivry Gitlis & Jascha Horenstein cond. Vienna Symphony Orchestra
28:09Mahler: Symphony No. 5 in C sharp minor 2. Sturmisch bewegt, mit grosster Vehemenz — Jascha Horenstein cond. Gothenburg Symphony Orchestra
16:01Bruch: Scottish Fantasy, Op. 46 - 1. Adagio cantabile — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
8:43Mahler: Symphony No. 5 in C sharp minor 5. Rondo - Finale: Allegro — Jascha Horenstein cond. Gothenburg Symphony Orchestra
16:16Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:06Bruch: Scottish Fantasy, Op. 46 - 2. Scherzo - Allegro; Adagio — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
5:19'Alles Vergängliche' (Jascha Horenstein, London Symphony Orchestra) — Mahler - Symphonie Nr.8
6:39Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa) — Beryl Hatt, Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
4:38Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
3:13Scottish Fantasy, Op. 46 — David Oistrakh, Jascha Horenstein, London Symphony Orchestra
30:48Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:44Bruch: Scottish Fantasy, Op. 46 - 2. Scherzo - Allegro; Adagio — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
5:23Scottish Fantasy In E-Flat Major, Op. 46: Scherzo; Allegro — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
5:18Mahler: Symphony No. 4: IV. Sehr behaglich, "Wir geniessen die Himmlischen Freuden" (Soprano) — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
9:45Scottish Fantasy In E-Flat Major, Op. 46: Finale; Allegro Guerriero — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
9:20Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
2:41Mahler: Symphony No. 5 in C sharp minor 1. Trauermarsch: In gemessenem Schritt - Streng - Wie ein Kondukt, — Jascha Horenstein cond. Gothenburg Symphony Orchestra
13:00Scottish Fantasy In E-Flat Major, Op. 46: Introduction; Grave, Adagio Cantabile — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
8:39Mahler: Symphony No. 4: I. Bedächtig. Nicht eilen — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
18:03Mahler: Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
11:32Scottish Fantasy In E-Flat Major, Op. 46: Scherzo; Allegro — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
6:17Scottish Fantasy In E-Flat Major, Op. 46: Andante Sostenuto — The London Symphony Orchestra, Jascha Horenstein, David Oistrach
7:40Bruch: Scottish Fantasy, Op. 46 - 3. Andante sostenuto — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
7:44Bruch: Scottish Fantasy, Op. 46 - 4. Finale (Allegro guerriero) — David Oistrakh, London Symphony Orchestra, Jascha Horenstein
9:26Mahler: Symphony No. 4: III. Ruhevoll. Poco adagio — Jascha Horenstein/Dame Margaret Price/London Philharmonic Orchestra/Rodney Friend
20:04Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
2:36Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ewiger Wonnebrand" (Pater ecstaticus) — Alfred Orda, London Symphony Orchestra, Jascha Horenstein
1:24Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
1:06Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2) — Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
1:29Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus) — Joyce Barker, Beryl Hatt, Agnes Giebel, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:16Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": Poco adagio - Più mosso. (Allegro moderato) — London Symphony Orchestra, Jascha Horenstein
8:23Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2) — Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
4:03Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus) — Kenneth Neate, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra, Jascha Horenstein
6:26Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium) — Agnes Giebel, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra, Jascha Horenstein
3:35Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus) — Arnold van Mill, London Symphony Orchestra, Jascha Horenstein
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