John Fields

Найдено 142 композиции

Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 5, Aria. "Bereite dir, Jesu, noch itzo die Bahn" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Elly Ameling, Ian Hare, Iona Brown
4:53
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 8, Rezitativ. "Der höchsten Allmacht Wunderhand" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Janet Craxton, Michael Winfield
2:26
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 3. Credo — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, The Choir of St John’s Cambridge, George Guest
10:03
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 7, Aria. "Hilf, Jesu, hilf, daß ich auch dich bekenne" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, Ian Partridge
3:06
The Creation H XXI:2 (1988 Digital Remaster), Part I: The marv'llous work behold amazed (chorus with soprano) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:15
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 4, Rezitativ. "Verstockung kann Gewaltige verblenden" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, John Shirley-Quirk
2:11
The Creation H XXI:2 (1988 Digital Remaster), Part II: Straight opening her fertile womb (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:22
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 4, Rezitativ. "Verstockung kann Gewaltige verblenden" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, John Shirley-Quirk
2:12
The Creation H XXI:2 (1988 Digital Remaster), Part II: Straight opening her fertile womb (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:23
Mendelssohn: Elijah, Op. 70, MWV A25 / Part 1 - "For He shall give His angels charge" - "Now Cherith's brook is dried up" — Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Sir Thomas Allen, John Connell, Academy of St Martin in the Fields, Sir Neville Marriner
3:44
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 2. Gloria — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, The Choir of St John’s Cambridge, Academy of St Martin in the Fields, George Guest
9:20
Fields Before The Ram — Glenn Spearman
12:26
J.S. Bach: "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159 - 1. "Sehet, wir gehn hinauf gen Jerusalem" — John Shirley-Quirk, Janet Baker, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
3:25
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 6, Choral. "Wohl mir, daß ich Jesum habe" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks
3:32
The Creation H XXI:2 (1988 Digital Remaster), Part III: Our duty we have now performed (soprano & bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:30
The Creation H XXI:2 (1988 Digital Remaster), Part III: In rosy mantle appears (tenor recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:53
The Creation H XXI:2 (1988 Digital Remaster), Part I: In the beginning (bass & tenor recit. with chorus) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:49
Die Entfuhrung aus dem Serail, K384 - Act I - No. 4 Rezitativ & Arie - 'Konstanze, dich wiederzusehen' — Curd Jurgens, Christiane Eda-Pierre, Norma Burrowes, Stuart Burrows, Robert Tear, Robert Lloyd, John Alldis Choir, Academy of St Martin-in-the-Fields, Sir Colin Davis
4:56
The Creation H XXI:2 (1988 Digital Remaster), Part II: Now heaven in fullest glory shone (bass) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:53
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 8, Rezitativ. "Der höchsten Allmacht Wunderhand" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Janet Craxton, Michael Winfield
2:25
The Creation H XXI:2 (1988 Digital Remaster), Part II: On Thee each living soul awaits (trio) - — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:41
The Creation H XXI:2 (1988 Digital Remaster), Part I: And God made the firmament (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:03
The Creation H XXI:2 (1988 Digital Remaster), Part I: Now vanish before the holy beams (tenor with chorus) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:44
L. Mozart: Jagd-Symphonie - Arr. Riessberger - 2. Andante, più tosto un poco allegretto. A gusto d'un eco — Hermann Baumann, Radovan Vlatkovic, Timothy Brown, Nicholas Hill, John Constable, Academy of St Martin in the Fields, Iona Brown
2:25
The Creation H XXI:2 (1988 Digital Remaster), Part I: And God said, Let the waters (soprano recitative) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
0:57
Mass in C Major, Hob. XXV:5 "Missa Sancta Caeciliae" ("Missa cellensis"): Benedictus — Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, John Scott, Choir Of St. John's College, Cambridge, Academy of St. Martin in the Fields & George Guest
5:06
The Creation H XXI:2 (1988 Digital Remaster), Part I: And God said, Let there be lights (tenor recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
0:40
The Creation H XXI:2 (1988 Digital Remaster), Part II: Achieved is the glorious work (chorus) - — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
1:32
J.S. Bach: Brandenburg Concerto No. 3 in G Major, BWV 1048 - Ed. Dart - 2. Adagio — Alan Loveday, Iona Brown, David Munrow, John Turner, Raymond Leppard, Thurston Dart, Academy of St Martin in the Fields, Sir Neville Marriner
2:56
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 3. Credo — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, The Choir of St John’s Cambridge, George Guest
10:05
The Creation H XXI:2 (1988 Digital Remaster), Part II: And God created great whales (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:07
The Creation H XXI:2 (1988 Digital Remaster), Part II: Achieved is the glorious work (chorus) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:07
Mozart: Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4 - Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" — Academy of St Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denley, John Constable, Ruggero Raimondi
3:35