Thomas Adès
Найдено 127 композиций
Violin Concerto, "Concentric Paths": I. Rings — Thomas Adès
3:58Arcadiana: IV. Et... (tango mortale) — Thomas Adès
3:53Still sorrowing Op. 7 — Thomas Adès
9:54A megvadult lenhajú láng — Thomas Adès
1:17Piano-Rag Music — Thomas Adès
3:08Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
1:52Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
2:51Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: ...mm..ah!...Room service? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:23Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:06Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did she?...Of course she did (Rubberneckers) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:09Anthony Maarwood, violin,The Chamber Orchestra of Europe,Thomas Adès - conductor. Koln, 22 May 2010 — Thomas Adès - Violin Concerto "Concentric Paths", op. 24 [2005]
20:57Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (Judge) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:46Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:09Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
2:18Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:07The Origin of the Harp, Op.13 (1994): II. Largo con moto — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:06The Origin of the Harp, Op.13 (1994): IV. [untitled] — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:29Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:06Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
2:14Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
8:07Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
6:34Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:12Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:43Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:11The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:13Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:44Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:45Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:57Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: What have you got there? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:08Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
1:44Adès: America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn" — Thomas Adès feat. City of Birmingham Symphony Chorus, Susan Bickley
5:57Janacek: The Diary of One Who Disappeared, JW V/12: No. 10, Un poco più mosso "Boze, dalny, nesmrtelny" — Ian Bostridge/Ruby Philogene/Thomas Adès
3:50Adès: Violin Concerto, "Concentric Paths": III. Rounds — Thomas Adès
5:23Janacek: The Diary of One Who Disappeared, JW V/12: No. 11, Con moto "Tahne vuna k lesu" — Ian Bostridge/Ruby Philogene/Thomas Adès
3:16Powder Her Face (chamber opera in 2 acts) Scene 3 - Nineteen thirty-six - Fancy, fancy being rich — Thomas Adès
4:28Powder Her Face (chamber opera in two acts) Scene 1 - Nineteen ninety - Oo aa! ha ha ha ha ha — Thomas Adès
3:57Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" — Ian Bostridge/Ruby Philogene/Thomas Adès
3:20Janacek: The Diary of One Who Disappeared, JW V/12: No. 10, Un poco più mosso "Boze, dalny, nesmrtelny" — Ruby Philogene/Thomas Adès
4:30Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:29Adès: Violin Concerto, "Concentric Paths": II. Paths — Thomas Adès
10:44