Vienna Chamber Choir
Найдено 143 композиции
Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: V. Benedictus (Andante) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
3:17 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: V. Benedictus (Andante con moto) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
5:00 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: IV. Sanctus (Adagio maestoso) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
2:37 Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: I. Kyrie (Andante con moto) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
3:20 Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: II. Gloria (Allegro vivace) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
4:31
Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da — Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller
2:45
Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 4. Offertorium: Domine Jesu — Sena Jurinac, Lucretia West, Hans Loeffler, Frederick Guthrie, Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir
4:56 Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los — Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera
2:24 Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: IV. Sanctus (Adagio) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
1:53(George London & Lisa della Casa, Wiener Akademie-Kammerchor, Wiener Symphoniker, Jonathan Sternberg, 07/1949) — Qui tollis peccata mundi, miserere nobis. Qui tollis peccata mundi, suscipe deprecationem nostram. Qui sedes ad dextram Patris, miserere nobis. ( Haydn, Hob.XXII:11)
4:37 Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen — Uno Ebrelius, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Anton Heiller, Boys Choir of the Schottenstift
2:59 Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: VI. Agnus Dei (Adagio) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
3:59 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: II. Gloria (Allegro vivace) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
12:40
Cantata No. 4: Christ lag in Todesbanden (Easter Sunday), BWV4 iii. Duet (Versus 2; Soprano, Alto): Den Tod niemand zwingen kunnt — Vienna State Opera Orchestra, Vienna Chamber Choir, Felix Prohaska, conductor
3:51
Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend — Chamber Orchestra of Vienna State Opera, Mogens Woldike
2:31
Die Verschworenen, D. 787 "Der häusliche Krieg", Scene 6: Ensemble. "Verrätherei, hab' ich entdeckt" (Udolin, Count, Choir) — Pro Musica Orchester Wien, Ferdinand Grossmann, Walter Anton, Walter Berry, Wiener Akademie Kammerchor
4:25 Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht — T Stich-Randall, Cham Orch of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, W Kmentt, Vienna Chamber Choir, H Rossl-Majdan, Anton Heiller
2:22 Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst — Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Anton Heiller, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir
3:44 Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden? — Theresa Stich-Randall, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller
5:24 Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend — Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Friedl Kummer, Chamber Orchestra of Vienna State Opera, Anton Heiller, Hans Braun
2:31 Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen! — Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Anton Heiller
2:44 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: VI. Agnud Dei (Adagio molto) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
7:58 Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir — Chamber Orchestra of Vienna State Opera, Mogens Woldike
3:37 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: I. Kyrie (Larghetto) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
5:58 Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen! — Waldemar Kmentt, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir
4:24 Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee — Uno Ebrelius, Anton Heiller, Chamber Orchestra of Vienna State Opera, Hans Braun, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir
2:19 Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat — Uno Ebrelius, Mogens Woldike, Boys Choir of the Schottenstift, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller, Hans Braun
2:23 Mass No. 1 in F Major for Soloists Choir and Orchestra, D.105: III. Credo (Andantino) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
8:44 Mass No. 4 in C Major for Soloists Choir and Orchestra, D.452: III. Credo (Allegro) — Vienna Academy Chamber Choir, Vienna State Opera Orchestra, George Barati, Laurence Dutoit, Rose Bach, Kurt Equiluz, Kunikazu Ohashi, Xaver Mayer
5:45 Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren — Hilde Rössl-Majdan, Vienna Chamber Choir, Mogens Woldike, Hans Braun, Chamber Orchestra of Vienna State Opera, Uno Ebrelius, Anton Heiller, Boys Choir of the Schottenstift
2:24 Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt — Chamber Orchestra of Vienna State Opera, Mogens Woldike
1:54 Die Verschworenen, D. 787 "Der häusliche Krieg", Scene 4: Conspirators' Chorus. "Ja, wir schwören" (Choir, Countess, Helene) — Pro Musica Orchester Wien, Ferdinand Grossmann, Wiener Akademie Kammerchor, Ilona Steingruber, Elisabeth Roon
4:19 Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten — Uno Ebrelius, Anton Heiller, Chamber Orchestra of Vienna State Opera, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir
1:09 Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern — Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Chamber Orchestra of Vienna State Opera, Anton Heiller, Hans Braun
1:19 Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt — Uno Ebrelius, Mogens Woldike, Waldemar Kmentt, Boys Choir of the Schottenstift, Anton Heiller, Vienna Chamber Choir, Hans Braun, Chamber Orchestra of Vienna State Opera
1:42 Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand — Hilde Rössl-Majdan, Chamber Orchestra of Vienna State Opera, Anton Heiller, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike
3:44 Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm — Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Anton Heiller, Waldemar Kmentt, Boys Choir of the Schottenstift, Vienna Chamber Choir, Mogens Woldike
1:09 Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig — Uno Ebrelius, Boys Choir of the Schottenstift, Mogens Woldike, Vienna Chamber Choir, Anton Heiller, Chamber Orchestra of Vienna State Opera
1:22 Die Verschworenen, D. 787 "Der häusliche Krieg", Scene 7: Knights and Ladies' Chorus. "Wilkommen, schön wilkommen" (Choir, Helene, Isella, Countess, Count, Astolf) — Pro Musica Orchester Wien, Ferdinand Grossmann, Wiener Akademie Kammerchor, Elisabeth Roon, Laurence Dutoit, Ilona Steingruber, Walter Berry, Rudolf Kreutzberger
4:12 Die Verschworenen, D. 787 "Der häusliche Krieg", Scene 15: Finale. "Wie? Darf ich meinen Augen trau'n?" (Count, Countess, Choir) — Pro Musica Orchester Wien, Ferdinand Grossmann, Walter Berry, Ilona Steingruber, Wiener Akademie Kammerchor
2:10