Томас Адес (Thomas Adès)
Найдено 135 композиций
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:43Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
8:07Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:06Anthony Maarwood, violin,The Chamber Orchestra of Europe,Thomas Adès - conductor. Koln, 22 May 2010 — Thomas Adès - Violin Concerto "Concentric Paths", op. 24 [2005]
20:57Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (Judge) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
3:46Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:12Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
6:34Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:45Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:06Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore? — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:57Asyla — Thomas Adès
22:30The Origin of the Harp, Op.13 (1994): IV. [untitled] — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:29The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:13Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
1:44Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
4:44Symphony No. 9 in D Minor, Op. 125 'Choral': IV. Allegro assai — Britten Sinfonia, Thomas Adès, Britten Sinfonia Voices, The Choir of Royal Holloway, Jennifer France, Christianne Stotijn, Ed Lyon, Matthew Rose
23:06Powder Her Face (chamber opera in 2 acts) Scene 3 - Nineteen thirty-six - Fancy, fancy being rich — Thomas Adès
4:28Adès: The Tempest, Op. 22, Act III, Scene 5: "Who was here..." — Thomas Ades feat. Cyndia Sieden, Ian Bostridge
3:25Adès: Les baricades mistérieuses — Thomas Adès feat. Composers Ensemble
2:43Powder Her Face (an Opera in two acts) Op.14, ACT I: Overture (Orchestra) — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
2:58Adès: Violin Concerto, Op. 23 "Concentric Paths": I. Rings — Thomas Adès feat. Anthony Marwood
4:00The Origin of the Harp, Op.13 (1994): II. Largo con moto — Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd
2:06Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
5:29Lieux retrouvés — Томас Адес (Thomas Adès)
15:45Adès: Violin Concerto, "Concentric Paths": II. Paths — Thomas Adès
10:44Powder Her Face (chamber opera in 2 acts) Act Two - Scene 6 - Nineteen fifty-five - Did she ...Of course she did — Thomas Adès
29:23Adès: Darknesse Visible — Thomas Adès
7:14Adès: Violin Concerto, "Concentric Paths": III. Rounds — Thomas Adès
5:23Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well — Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson
2:14The Tempest — Томас Адес (Thomas Adès)
124:22Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5_ Nineteen fifty-three_ Is Daddy squiffy_ — Thomas Adès
5:43Adès: Five Eliot Landscapes, Op. 1: No. 1, New Hampshire — Thomas Adès feat. Valdine Anderson
4:39Powder Her Face (chamber opera in 2 acts) But now I have heard something new — Thomas Adès
3:33Powder Her Face (chamber opera in 2 acts) Scene 8 - Nineteen ninety - Agh - Who are you — Thomas Adès
6:11Powder Her Face (chamber opera in two acts) Scene 1 - Nineteen ninety - Oo aa! ha ha ha ha ha — Thomas Adès
3:57Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" — Ian Bostridge/Ruby Philogene/Thomas Adès
3:20Adès: 3 Studies from Couperin: III. L'Âme-en-peine — Chamber Orchestra of Europe, Thomas Adès
4:57Adès: America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn" — Thomas Adès feat. City of Birmingham Symphony Chorus, Susan Bickley
5:57Adès: ...But All Shall Be Well, Op. 10 — Thomas Adès
10:28Janacek: The Diary of One Who Disappeared, JW V/12: No. 10, Un poco più mosso "Boze, dalny, nesmrtelny" — Ian Bostridge/Ruby Philogene/Thomas Adès
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