John Martin (3 страница)

Найдено 128 композиций

Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 2. Gloria — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, The Choir of St John’s Cambridge, Academy of St Martin in the Fields, George Guest
9:20
L.O.V.E.R. Martin Roth with Another Approach — John Monkman
7:18
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 6, Choral. "Wohl mir, daß ich Jesum habe" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks
3:32
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 8, Rezitativ. "Der höchsten Allmacht Wunderhand" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Janet Craxton, Michael Winfield
2:26
The Creation H XXI:2 (1988 Digital Remaster), Part II: Straight opening her fertile womb (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:22
Don't Leave Me Like This — John Surman, Stu Martin
5:05
Mammoth vs Gold Skies vs. Body Talk vs. Hands Up (Dimitri Vegas & Like Mike Mashup) — Dimitri Vegas, MOGUAI & Like Mike vs NLW vs Sander van Doorn, Martin Garrix & DVBBS ft. Aleesia vs Ingrosso & Tommy Trash ft. John Martin
7:25
The Creation H XXI:2 (1988 Digital Remaster), Part I: The heavens are telling (chorus with trio) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
4:52
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Come Now a Roundel" — John Nelson feat. Joyce DiDonato, Julie Covington, Le Jeune Choeur de Paris, Martin Young, Michael Coveney, Michael Wood, Nicola Gurrey, Rebecca Evans, Robert Buckman, Wendy Greenhill
4:32
Mendelssohn: Elijah, Op. 70, MWV A25 / Part 1 - "For He shall give His angels charge" - "Now Cherith's brook is dried up" — Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Sir Thomas Allen, John Connell, Academy of St Martin in the Fields, Sir Neville Marriner
3:44
Haydn: Mass in B Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 - Ed. Landon, Füssl & Landon - 3. Credo — April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, The Choir of St John’s Cambridge, George Guest
10:03
Mass in C Major, Hob. XXV:5 "Missa Sancta Caeciliae" ("Missa cellensis"): Benedictus — Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, John Scott, Choir Of St. John's College, Cambridge, Academy of St. Martin in the Fields & George Guest
5:06
The Creation H XXI:2 (1988 Digital Remaster), Part I: The marv'llous work behold amazed (chorus with soprano) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
2:15
Die Entfuhrung aus dem Serail, K384 - Act I - No. 4 Rezitativ & Arie - 'Konstanze, dich wiederzusehen' — Curd Jurgens, Christiane Eda-Pierre, Norma Burrowes, Stuart Burrows, Robert Tear, Robert Lloyd, John Alldis Choir, Academy of St Martin-in-the-Fields, Sir Colin Davis
4:56
Beatrice di Tenda: Act II Scene 5: Al tuo fallo (Beatrice, Orombello, Filippo, Agnese, Anichino, Choir) — Camille Capasso, Lucia Aliberti, Martin Thompson, Fabio Luisi, Paolo Gavanelli, German Opera House Berlin Choir, John David Dehaan, German Opera House Berlin Orchestra
5:15
The Dream of Gerontius, Op.38 (2007 - Remaster), Part I: Kyrie eleison...Holy Mary, pray for him (semi-chorus, chorus) — Hallé Choir/Sheffield Philharmonic Chorus/Eric Chadwick/Ambrosian Singers/John McCarthy/Hallé Orchestra/Martin Milner/Sir John Barbirolli
2:19
Beatrice di Tenda: Act II Scene 5: Ite entrambi (Filippo, Agnese, Orombello, Anichino, beatrice, Choir) — Camille Capasso, Lucia Aliberti, Martin Thompson, Fabio Luisi, Paolo Gavanelli, German Opera House Berlin Choir, John David Dehaan, German Opera House Berlin Orchestra
2:31
To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons — Brian d'Arcy James, Clarke Thorell, David Costabile, Robin Irwin, Jennifer Piech, John Bolton, Martin Moran, Michael Mulheren, Don Stephenson, Larry Keith, Alma Cuervo, Allan Corduner, William Youmans, Mara Stephens, Victoria Clark, Henry Stram, Titanic Ensemble
2:38
Hand in Hand — John Martin
1:49
The Year's Last, Loveliest Smile — John Martin
3:04
The Creation H XXI:2 (1988 Digital Remaster), Part III: In rosy mantle appears (tenor recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:53
The Creation H XXI:2 (1988 Digital Remaster), Part II: Straight opening her fertile womb (bass recit.) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:23
Napalm Death — John Martin Hawthorn
1:25
The Dream of Gerontius, Op.38 (2007 - Remaster), Part I: Go in the name of Angels and Archangels (chorus, Priest, semi-chorus) — Kim Borg/Hallé Choir/Sheffield Philharmonic Chorus/Eric Chadwick/Ambrosian Singers/John McCarthy/Hallé Orchestra/Martin Milner/Sir John Barbirolli
4:44
The Creation H XXI:2 (1988 Digital Remaster), Part I: Now vanish before the holy beams (tenor with chorus) — Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St Martin-in-the-Fields, James Lancelot
3:44
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 7, Aria. "Hilf, Jesu, hilf, daß ich auch dich bekenne" — Elly Ameling/Dame Janet Baker/Ian Partridge/John Shirley-Quirk/King's College Choir, Cambridge/Academy of St. Martin-in-the-Fields/Sir David Willcocks feat. Ian Hare, Ian Partridge
3:06
Coming Home (Vintage Culture Remix) — ARTBAT feat. John Martin
4:47